We are saddened to report that Dena Epstein, the famous music librarian who opened our eyes to African American musical culture, died Nov. 13 in Chicago. She would have turned 97 on Nov. 30.
As her mother, Hilda Satt Polachek wrote, “On the morning of Thanksgiving Day 19167 our second child was born, a dimpled girl whose eyes were as blue as gentians. We had much for which to be thankful.” Indeed we did.
In the 1970s, after 25 years of research on her own, Dena published a series of papers and her monumental book, Sinful Tunes and Spirituals: Black Folks Music to the Civil War, which shattered myths that African slaves arrived in the Americas “culturally naked.” She documented a musical culture among Africans and African-Americans that was rich with song, dance and instrumentation.
I was fortunate to have interviewed Dena in 2009, and produced a film about her life and legacy. Details are below, and in the dropdown menus under this tab.
A memorial for Dena will be held in Chicago at a future date.
The 56-minute film tells the story of Dena Epstein, a music librarian, now 96 years old, whose trailblazing scholarship was the first to take on the old myths about the banjo and prove its African-American origins and West African roots. Her work shattered myths about the roots of American music, and has been described as “monumental.”
The film features interviews with Dena (as everyone calls her), academics, banjo historians and musicians including the Carolina Chocolate Drops, Bela Fleck, Tony Trischka and Eric Weissberg. The soundtrack, from dozens of banjo players, includes music on gourd akontings, minstrel instruments and bluegrass banjos. Among featured artists are Stephen Wade, Sule Greg Wilson and Pura Fe.
Among music historians interviewed in the film are: Bill Ferris (former NEH chairman), Bob Winans, Tony Thomas, Greg Adams, Laurent Dubois, Bobby Fulcher and Daniel Jatta.
The DVD also includes bonus material on the minstrel banjo with Bob Winans; gourd banjo making with Pete Ross, Clarke Buehling and the late Scott Didlake; and Angela Wellman’s music school in Oakland, California where the banjo is being introduced to a new generation of children of color. In a bonus chapter I call “The Cutting Room” floor I have two great stories – the story of “Dixie,” and the Senagambian legend that the Devil likes akonting music — because akonting players were kidnapped by slave traders, told by Daniel Jatta.
The film also includes a pan of a huge (4-foot long) photo of the famous Tennessee Banjo Institute, held in 1992, at which Dena Epstein lectured. She recalls being one of the few people without a banjo in their hands. Here is a photo closeup of her behind John Hartford.
Dena’s work inspired the TBI, which brought together the whole world of banjoists, including, for the first time, African plucked lute players, minstrel historians and the hottest bluegrass pickers from Nashville. Many credit TBI with finally breaking the long-held American myth that the banjo was strictly a southern, white instrument.
To read more about the film, including reviews, and watch a trailer, click on the drop down menu labeled The Librarian and The Banjo at the top menu above.
To purchase a DVD for personal or institutional use, click here.